What you can see in such peephole depends on temperature and your "ability" to see. What you should see (among others) is holder or stand with what is called cones or more precisely pyrometric cones. I talk about small pieces of ceramic, which potters use for measuring of heatwork (combined effect of temperature and time). Although it can seems to be kind of not easy to get for "first lookers" the principle is simple and quite natural.
First cone melted down, second one start to soften... |
Cone 6a in the midle of the kiln has just touch base... |
In most cases we use five cones in three peepholes. There are three cones in hottest part of the kiln (06a, 9 and 11), one 6a in the middle of the kiln and one 6a. in coldest part of the kiln. First cone which start to react to rising temperature is 06a which should refer to 960°C. In this time we know that we should start first stronger reduction period. This 06a cone is usually down after around four hours of the firing (not counting several hours of pre-heating). Then after another eight-nine hours, the cone 9 starts slowly go down. Here more slowly means better - it is period, when pots need time to ripen. This cone nine should refer to temperature around 1300°C. After two aditional hours or so cone eleven goes down. Here it is already very difficult to see those cones - it is "white heat" and you need some experiences to recognize what is going on in there. This cone eleven refers to 1350°C. When this final front cone is down we start to watch cones thru peepholes in the midlle and in the back. Depending mostly on how tight the kiln is loaded after one up to five hours also the last 6a (1250°C) cone is down. This "firing curve" is not from school handbook but based on experiences with several hundred firing of different kilns. Each single firing is then our teacher for work in the future. And the best time to learn is during unloading a kiln we have fired. We can see mistakes we have made as well as ways to improve.
Thank you for reading and Happy New Year!
Petr,
ReplyDeleteVery instructive lesson.
Can you tell me how do you determine how much wood you will need to keep the heat at your desired temperature? How do you know when to feed the fire and how much to feed it?
Ho Go, It is nice to see you around!
ReplyDeleteAs our kiln is build from "soft brick" it is pretty efficient and consumption of wood during firings is quite low. I always try to have dry wood for several months (several firings) and not to care too much about amount of wood I will need during one firing- I just keep fire till cones are done and try to do it in right manner.
As for the second question: Generally it is based on experiences. You have to know (feel) how the firebox, chamber and chimney should look like(and sound like) during each phase of the firing and you feed the fire to make it work- to work as you think is the best for your work inside the kiln. For particular kiln, wood and pots I can give you more definite answer...it is like driving a horse. So simple but not easy to explain when you are not sitting on one. :)
Best
Petr
Absolutely fascinating reading! I love your analogy "it's like driving a horse". Makes me appreciate those cups you sent all the more :)
ReplyDeleteHi Eugene, I am glad you enjoyed the reading. Thru is that the analogy limps - I can not drive a horse so who am I to make analogies like that?? ha ha...
ReplyDeleteBest
Petr
Happy new year to you too Petr,
ReplyDeleteMaybe Jacob and I meet up with you one day, for some tea and a firing!
All the best
Michel
Hi Michel,
ReplyDeleteThank you. I hope to meet you too guys. If you will have a journey thru the middle Europe, then feel free to stop by and stay with us for a while. The Cornwall is already on our "wish list" so yes, maybe one day...:)
Petr