Saturday, December 29, 2012

Raw Loose Puerh, mid 1980

Stephane Erler has labeled this leaves as "Mind blowing". Well, who would not like to let his or her mind to blow, right?

Our before Christmas season in studio was more then busy. I decided to enjoy my free, holiday time with somehow special teas. I opened my jars and boxes and have pulled out few too-precious-for-everyday-drinking teas. Teas, which I look forward to try but I save them for the right moment. This was also the case of this loose puerh.

I was wondering, if there is anything what I can ad to Stéphane's descriptions. Regular reader of my blog knows that I am not very good in depict of tastes anyway. I rather prefer to draw down my impressions and my personal relationship to leaves I met. Maybe one day I will be able to write real, honest and objective tea reviews. Till that, here is just next couple of thoughts and feelings...

Dry tea shows to us a mixture of unsorted leaves. Small leaves, big leaves, hairy buds, stems. Leaves are clean of dust. In order to air them up, I have moved them from aluminum bag to my porcelain jar. When I asked my 12 years old niece to smell the tea inside the jar, she pronounced "it smells like forest spring water". I agreed. Fresh water with all those moss-lincen-stone-trees aromas. It has forced me to close my eyes and let my imagination fly...

As big surprice I could probably call the first sip. The taste and mouthfeel was far from what I have expected. I am always pleased when I found new dimension of tea. I think that this is what Stéphane call: "It is like silk on the tongue, refreshing and lively!" and I can hardly express it better.

After that first touch surprice there is not much to say. Which doesn't have to mean that is poor. New brews comes and goes as waves in ocean. I stopped counting and analysed. The taste has not change really, just in time become slowly lighter. Sweet and silky, that is what remains. Complexity from light fragrances, through remarkable taste and mouthfeel to long living after taste.

 The Qi of this tea is.

Testing new kettle with ceramic handle...

I have to admit I have had just few puerhs of similar age, so I don't have too much to compare to. But so far, this is the winner. Real stuff. When you drink pressed teas there is more development through brews. As piece of cake or toucha opens, each brew is different. Loose leave puerh (MaoCha) is fully speaking from beginning.
Some leaves are really big. Notice that the top leave is just a middle part, maybe lass then half of the leave...

 I am glad that we met. Looking in to the jar, I am happy to say that there are leaves for one or two more tea sessions. Thank you very much!

Thank you for reading!

Saturday, December 22, 2012


My afternoon tea, cup of autumn Maraget's Hope...warm Darjeeling in cold days.

Happy Holidays, Light to Your Lives

Thursday, December 6, 2012

Gem number Ten- Blue Jasper

That is right, collection is complete. I already have Gem Ten. Actually I already have Gem Eleven, which is going to repalce the Gem n.1 named Frozen Waterfall. For me, to look back at those ten pieces is quite interesting  I can easy asociate each pot with particular firing. Bygone spring, summer, fall... As the colection has grown, some of my dear readers started to reserve their favorite pieces. This is also case of the Frozen Waterfall... I couldn't help to myself and as Gem number ten I choose kindred piece. It is not only also teapot, but it is created from the same clay and glazed in the same ash glaze. I wish you will enjoy those new pictures I made.

For more pictures of this new piece please visit this page. If this "Ten Gem of Ten Kilns" project is new for you please read this post first.

Gem number ten

Thank you for reading!

Sunday, November 25, 2012

2002 Yibang cake

 I got a package from Chawangshop a week ago. There was more then five kilos of tea- autumn greens, aged oolongs some shu touchas but mostly shengs. And many samples of course...The tea I am going to talk about today, is not my favorite from that package but definitely worth to mention. It is Yibang Cha Wang Yuan cake from 2002.

I had sample of this tea few months back. The reason why I have decided to go for whole cake is what we can call "stage of aging". The seller claims that the cake was stored in humid Banna for first few years. It has created something in the tea profile what I miss in many cakes of similar age. Or maybe, it is just harder to find it for a reasonable price here, on west.

You can see even from pictures, that the cake is not fancy or perfect. Yes, there are stems and older yellow leaves. And yes, there is mixture of different leaves, shapes and sizes. But all this give a natural look to it and I think that "not looking fancy" does't mean poor tea. Probably also those impefections are involved in its price- 38usd for more then ten years old tea is (unfortunately) very cheap these days.

To see single mountain Yibang tea of this age is also very rare, at least for west audience. I am not sure if testing such example can give you any idea how your fresh Yibangs are going to age. This one is not distinct in any common way- not strongly sweet, smoky, fruity, bitter, floral. But rather there are all those aspects, mellowed by age. I wouldn't label it as overwhelming and really powerful tea, but I enjoy it. For me it is like forest in rain - calming and pleasant experience.

As you can see on wet leaves - it is still quite green. It is interesting thing about the color and aging. I have made side by side testing of this tea and Hong Kong stored 7542 from 2003. The HK tea was much darker in both leaves and liquer. But taste and aroma of the Yibang was more "aged". 7542 is probably better tea with potential and future, this Yibang on other hand is very nice to drink right now, but I am not sure about its potencial for long term aging.

You can find surprisingly big leaves in this cake-  Yibang should have small leaves as Jingmai, shouldn't have?

I will tag this cake as "ready to drink now" anyway. There is some aged quality I like and profile, which is different from what I have. Next time, when a vendor is going to warn me that a tea was stored in humid place in its early live, I will sit up and notice. It is worth to try.
Testing new kettle...
Thank you for reading!

Wednesday, November 21, 2012

Gems eight and nine

Two another gems to my collection. Both pieces, which I am going to share here, were fired before our Barcelona trip. We had two successive firings in the end of September. I choose two pieces not just in order to join the ranks of The Ten Gem Collection, but also to show something new or different. First piece is another teapot. There is surface, which we call "three bark" and I have rub into this surface black slip glaze. The teapot was then fired in charcoal part of our kiln. The second addition too the collection is chawan. Actually it is first chawan you can see here and I am happy about it. It is wide, summer chawan with simple feldspar glaze. As usually with more glossy glazes it is hard to photograph its real quality. But I have tried anyway...

For more pictures of those new pieces please visit this page. If this "Ten Gem of Ten Kilns" project is new for you then read this post first.

Gem Number Eight- Rusty Morning

Gem Number Nine- Straw in The Grass

Thank you for reading!

Wednesday, November 7, 2012

Heating water on charcoal- part one: Charcoal

 Lately, there were few people asking "how do you do it"? I also owe this kind of manual to several customers, who have bought from us stove, ceramic kettle or both. Whikle reading this post please keep in mind that all my advices and conclusions are based on my quite short experiences. I am still learning, but I am happy to share what I have already learned.

Warrning: This is the longest post in history of this blog. And maybe boring, but for some of you. hopefully helpful 

I cut this topic in two parts. In this part I am going to share my findings about charcoal itself. The part two will be focused on our braziers (stoves) and ceramic kettles.

But imporatant note first: Before I will start with the topic itself, I have to say: When using charcoal for heating, take safety precautions as with any other fire.


Why to use charcoal?

Why to use charcoal for heating tea water? To make it simple, I usually say that it helps to make our tea time complete. The quality of water, its composition and energy, is crucial. On the other hand, the way how we bring it to boil is more subtle. For me, there are few important points why I prefer charcoal to other sources of heat.

- I like to play with fire
- It improves my water
- It gives natural rhythm to my tea time

Choosing the charcoal

When looking for the right charcoal, you will probably have to hunt and make some tests first. I think it is always better to use a local product, especially if it is available in adequate quality. Historically, each tradition used charcoal which was, first of all, available. If there was choice then they chose the one which improved the water-tea most or/and which worked best for their way of brewing tea. Then braziers (stoves) were made in order to work with this charcoal. These days we can order a particular charcoal from all around the world, which is great. But I believe it is worth to try to follow the natural way. Before you order olive pits charcoal from China or cherry one from Japan, try ones from a local producers. Maybe you are going to be surprised how good one you will find.

After several tests of several different charcoals I keep using Czech oak one. The maker says that it is "exclusive, single wood charcoal with 80% of carbon". Truth is that, compare to cheaper and not exclusive ones, it is cleaner, produces less smoke, less smell and it burns longer. By cleaner I don't mean just coal dust. When I used some cheap (no name charcoals) there were always pieces of bark, resins and some kinds of gross (slag). And all those imperfections mean more smoke and less comfort.

Some people use a charcoal briquettes sold for water-pipes as CoCoBrico or Bamboocha. Those are clean, available in stable quality and are supposedly smokeless. Some tealovers like them very much. I prefer to use real pieces of carbonized wood then compressed pulp of some exotic material. But this is just my point of view...

Cleaning before using...

I find this step very helpful a I skip it only when I am really lazy or busy or both. When I open new bag with charcoal I proceed it this way: First I transfer charcoal into plastic crate (no in the house, much better to do it outside if it is possible) and brake all too big pieces. By too big I mean too big for my stove. I also try to trow away all suspicious ones - brown pieces (if there are any), bark, slags... Then I wash it under flow water. This is quite important part. By washing it, you will get rid of the coal dust. This will lead to less smoke and also you hands will be cleaner (when using it).

After washing, I pick up all nice pieces and let down those, which are too small. After this wet-step, it is necessery to make it dry again. When there is summer sun, it is quite easy. But remember - drier means better. After few tests I found out that when the charcoal is perfectly dry it not just work faster. It produce less smoke/smell, if any. My last batch of charcoal ended up in our kitchen oven - for an hour at 120°C. It is perfect now.

Lighting up

All of you are already anticipating - this is the tricky one. Or funny? Let's see...

There is, of course, many ways how to light up the charcoal. I will talk here about three, which I use. We can call them Natural, Gas and Electric.

By Natural, I call the lighting using just matches, knife, piece of dry wood and charcoal. It is much easier for Boy Scouts. Also if you are use to make bone fires, it is as easy as pie. I use knife to shave the wood. Then I make small fire in my stove and carefully combine wood with pieces of charcoal. After a while the charcoal starts to glow a bit. I stop with wood and just gingerly blow. When smoke from wood disappears and charcoal noticeably burn, I put my kettle on.

This way is for sure the smokiest. I use it just outside but I like it.

Then there is Gas. If you use gas stove in your kitchen you will probably try it. Also camping burners are useful. When I use my gas camping burner I just put few pieces of charcoal on dispersion grille. After few minutes on fire, the charcoal is ready to go, using locking tongs, to my ceramic stove.

Recently, I mostly use our kitchen cooking stove. We have the electric one with glass cook-top. I put several pieces of charcoal on the smallest hotplate. Two minutes are enough to light it up and I am moving it to stove. I realy don't play any games with it. After few more minutes I place the kettle on and I start to prepare  my tea setting- teaboat, leaves, teapots, cups and so on.

If you are going to light up the charcoal on glass cook-top you have to be aware of, at least, two things. First of all, the glass is going to be dirty from ash and fire. I use it like this quite often, and it is still not so bad. But if you like your kitchen clean and shiny... Second and more important thing: when you light up the charcoal in your kitchen: Keep your eye on it. You dont want to have real fire there!

Even when you have cleaned, sorted and dried your charcoal there can be some smoky pieces. So when I put the charcoal on the cooktop I watch out. If any piece starts to smoke I switch it with new one. Sometime there are two, sometime none.

Heating water, feeding the fire

How quickly it works? Well, it depends. I usually say that with some practice, there is not much of free time. I start my tea session with lighting charcoal. Then I prepare my tea table and I usually have just few minutes to calm down, examine leaves and the kettle already starts to sing. When I have started preparing this post I was curious and I used stopwatch. I fill my ceramic kettle with 0,5l of cold water. And from putting the first pieces of the cold charcoal on the cooktop till first cup of puercha it took 23 minutes. And it is really not so bad.

During these charcoal tea sessions I usually feed the fire few times. It is better not to let the fire fade. Time to time add a piece or two of the charcoal. When all is going well then you don't have to care too much about it. Especially, when you start to blow in to it, in order to speed it up, you will probably just end with white ash all around your room.

The Rhythm

In my tea philosophy, the rhythm is what makes a difference. You can have great tea leaves in precious tea ware, but still end up with nervous running around...paying attention to so many things around that you will miss the tea on your tongue. So keep in mind, the preparing water on charcoal is here to help to be in the rhythm, not to disturb. Burning charcoal heats water in ceramic kettle. So natural. It mean four elements in actions: Fire and Air, Water and Earth. It needs some prectice but it is worht it.

If you have anything to share on this topic, please feel free to do it.

And for those who have missed it, Matt´s excellent posts:

Thank you for reading!